Biographie Artistique

Saskia Rosa Hartmann lives and works between Arles and Marseille, France

Born 1979 in Berlin, Germany

 

Saskia Rosa Hartmann’s broad spectrum of practice includes painting, drawing, installation, video, performance and espescially channeling. Consistently challenging the boundaries between art, science and spirituality, her energetic, etheric, visually flowing work is a part of a whole new aera of Art which she calls „Art After Apocalypse“.

Saskia Rosa Hartmann explores the invisible world of energy and frequency within and around every human as well as in everything else – the life force – and is trying to make this invisible world visible and approxible. Promoting that the purer the person or the thing, the purer the accuring energy with and around it, she is merging completely with her Art, constantly pushing her pureness and its artistic expression into alignment with the „truth“ of everything there is, called “god” in religions, so SRH (Saskia Rosa Hartmann). (Which she defines as well as Stimmulation, Revelation, Holistication).

SRH is perhaps until this moment known for her colourfull flowing paintings, her movement performances in front of video projections of her flowing paintings and espescially for her channeling, her words coming from a conntection with higher dimensions, which are included into her videos. These transcendental videos such as The Transcendental Body (2022) or Reincarnation (2023) aim to show the connectedness of herself with the eternal life force around and within every existence. And thus the connectedness and abundant flow of all there is.

SRH paintings which seem to come directly from an etheric layer of an human or living body in general, to represent the energetic imprint and contstitution of a person, are vibrant watercolours in utilisation of pure colours to visualise the energetic flow of someone who aligned some inner blockages to the infinite flow of life force. By being herself the channel to those energies, letting them flow through her hands, her body into the support, her own physical clearness plays a big role on the outcome of her creations. The purer, the more her creation can be compared to creations of Nature itself – like our veins, a riverbed, a flash or a torus like an apple, spirals as in shells or snails, tunnels, portals or just energetic outbursts and much more. Her exhibitions are generally accompanied by words – SRH’s channelings from other dimensions which speak about an connectedness, sacredness and synchronicity of everything there is. Golden Human (2024/25) These dimensions vibrate so high, that they cannot be seen seperated in unique colours anymore. They are white or rather in such high frequencies, that they appear bodyless in our world of colours. While channeling these words, she puts these frequencies into words to let them be perceived in our dimensional existance. The Transcendental Body (2022).

SRH Artwork is like this rather an making visible the invisible to show our true infinite size and greatness, a research within those infinite layers of our human being and an continuous pushing the boundaries of the way of representing this invisible existence visually, with a secondary point of view on the technical approach of colour, composition, installation and performance.

The auric field and its colours, energies and their colours, the colours of our emotions, thoughts remains one of SRH’s most enduring themes. These ideas are investigated in her watercolour works of perpetual movement as well as in the installation Golden Human (2025) which display a cornucopia of coloured energetic balls, made of tissue, that are put up in a line to represent the human chakras, glowing in a blacklight and which are put up in a huge triangle. Underneath the triangle glows a flower of life. The flower of life stands here for the feminin, the triangle for the divine geometrie of the masculine and in harmony together, the energies, represented in the glowing, aligned spine, being born from the middle of the flower of life and growing to the top of the triangle – When feminin and masculin are in harmony the energies flow aligned and shine bright their clear rainbow into the world – Seen in a rainbow human or golden human. The perpetual movement that charakterises the paintings SRH’s is as well main theme in her „movement performances“, „the energies need to stay in movement as our world“ she says.

The invisible world that we are and the science about it remains one of SRH’s most enduring themes. These ideas are investigated in the installation The golden human (2025)

SRH’s art is an art of femininity – it embodies the unconscious, the disordered, the flowing, the feeling, the trance, the depth of the abdomen …
At a time when the feminine is reorganizing itself and stepping into its own power. Not wanting to embody the masculine as a bad imitation, but shining in its own strength. In gentle but powerful strength. It becomes clear how much power and love, forgiveness, devotion, letting go has when we open ourselves to the feminine. This becomes clear to us when we look at SRH’s art and lose ourselves in it.

SRH’s most important works are probably the channeled words which she called „Light Ray Poetry. She includes them into her exhibition spaces, as well as in her „channeling performances“ in which she films herself, moving and dancing herself in trance, while her voice is speaking to us. It is her channeled voice. Coming from dimensions in which we don’t live in our every days lifes. It speaks about our purpose, our future, our ways out of our selfdestructive living. We can connect this voice to any frequency we want, because it is spoken from a space, where everything is united and gives us in this way the most concrete proof of a transcendented body which has ever existed. When SRH speaks with her every days voice, we can easily perceive the division, interruption like in all our every days voices.
Those channeled voices and messages which she includes into her Artworks are coming from her Higher Self, her soul, are infinite and through her voice embodied into our every days plane and existance.

Like this SRH is known for her pure colour frequency paintings as for her „Light Ray Poetry“ and her movements in trance, that connect her through the colourful energies around mostly energetically deblocked beings, to white, because high spinning frequencies and thus to our pure soul existance, which reflects our divine nature as our infinite possibilities of frequencies to which we can connect ourselfes and which we can give a voice and embodiment here. SRH’s Artwork wants us to see our capability, our power and thus responsibility to use our own energies in our favour and for the best of the whole.

Since 2024 SRH is collecting her „Nature Relics“ Series. Where she shows a shell, a bees wabe, a natural sponge… in frames as relics, which reminds us that everything in Nature is sacred and divine and worth being seen and treated as such including orselves. This project exposes ideas of hierarchies of value, belief and faith and art itself.

Saskia Rosa Hartmann was born in 1979 in Berlin, Germany. She lives and works in Arles and Marseille. Since 2019, her solo exhibitions and group exhibitions with her have taken place in Paris and Arles, as well as several online collaborations for different projects. 2023 a collaboration with curratrice Angeline Scherf, curratrice in the Louis Vuitton Foundation at Paris, amongst others.

Joaquino Cavatorta, (musician, composer, sound designer) – may 2025

 

Artworks

 

Blue Energy 2021

aquarelle, coloured pencil and marker on paper

29,7 x 21 cm

 

Exhibition

“And in the eyes of the jackal I say KABOOM”

Résidence d’Artistes ouverte

Joaquino Cavatorta et Saskia Rosa Hartmann

16, rue Jouvène, Arles

beginning of october until end of march

 

“The Frequency to Sing Your Own Song”

L’Aire d’Arles

May 23 until June 23 2024

In collaboration with Joaquino Cavatorta – Sound Installation

 

“Les couleurs innocentes de la paix” (“The innocent colours of peace”)

Gallery Saint Séverin in Paris

June third until september 25th – extended until october 9th 2023

In collaboration with Amédée Beriot and curator Angeline Scherf (Fondation Louis Vuitton)